Screening the World: Global Film Aesthetics

Undergraduate | 2026

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area/catalogue icon
Area/Catalogue
MDIA 3019
Course ID icon
Course ID
207694
Level of study
Level of study
Undergraduate
Unit value icon
Unit value
12
Course level icon
Course level
3
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Inbound study abroad and exchange
Inbound study abroad and exchange
The fee you pay will depend on the number and type of courses you study.
No
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University-wide elective course
No
Single course enrollment
Single course enrolment
No
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Note:
Course data is interim and subject to change

Course overview

This course is the capstone for the Film major and acts as a bridge into Honours/MPhil. The course will introduce students to the cinemas of Asia, South and Central America, Africa, the Middle East and Europe. The approach is to get us thinking about cinemas other than Hollywood and the Anglophone world in order to develop a sensitivity in our critical engagement with cinema and to build upon knowledge of other cinemas, and the aesthetics, narratives and practices that shape them. Students will be introduced to a wide range of films from across the globe that are often never exhibited outside of their national and cultural context. We seek to consider world cinema as a dynamic circulation of transnational flows: moving away from cinema as an assemblage of disparate histories, the course maps changes across time, space, language and cultures. Relevant theoretical, analytical and historical perspectives will be studied and applied to various films to address ideas of cross-cultural interconnectedness in a globalised, media-saturated culture.

Course learning outcomes

  • Demonstrate a detailed and high-level understanding of the essential theoretical ideas of world cinema
  • Situate the chosen films in their broader historical and theoretical contexts
  • Communicate effectively in a range of formats (but particularly through the production of an extended dissertation) a thorough grasp of the aesthetic and narrative tendencies of world cinema
  • Develop cross-cultural methods of analysis and apply these to the films studied

Prerequisite(s)

N/A

Corequisite(s)

N/A

Antirequisite(s)

N/A